BOURGEOIS & MAURICE: HOW TO SAVE THE WORLD WITHOUT REALLY TRYING


HOME
Drag aliens have descended on Theatre 2 at HOME and an audience of humansexuals are there for the anarchic Weimaresque cabaret. These drag aliens are rocking some serious sequins, latex, beehives and lashes. They are also strangely reminiscent of Ana Matronic and Jake Shears of Scissor Sisters being channelled via AbFab Patsy and Julian Clary.  

The performers are the first to receive the HOME  T1 Commission which will result in a creative development project leading to new piece of work in Theatre 1 in Spring 2019.

Georgeouis Bourgeouis (George Herworth) is an acerbic, bitchy, narcissistic cabaret singer who is an armchair activist. Maurice Maurice (Liz Morris) is a deadpan, piano playing nihilist who aspires to become simply gas. Bougeouis & Maurice are full on throughout the performance. They never break character even when talking to their multiple other selves on screen. 

The performance is a riotous blend of wickedly funny songs and sharp observations on our current political landscape. The drag aliens have studied and googled our society and having decided that all the other political isms have failed they suggest adopting their own brand of hedonism.

Subjects such as flawed British values, Brexit, patriarchy and chemsex are covered in unforgettable songs. I drove home humming the classic “everyone’s at a chemsex party except me”- available on Spotify.

This is slick delivery underpinned by layers of carefully conceived detail and precise observations. The rousing anthem was no saccharine song of hope but was an inspired and a perfect way to close a show about saving the world. If cabaret is really the last frontier then what a way to go. 

10/11 October