KOURTNEY KARDASHIAN

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Created by Sleepwalk Collective

Performed by iara Solano Arana and Nhung Dang

The Spanish/British company Sleepwalk Collective turn the spotlight on celebrity culture with a coolly elegant discourse on opera and our modern value system. Following on from their 2016 ballet Kim Kardashian and the 2017 stage play Khloé Kardashian, this production continues to explore the increasing dissonance in our lives as technology and rampant consumerism moves us further and further away from real lived experiences and closer to a point where even our humanity can be outsourced.

This production looks and sounds gorgeous. Lush lighting and a soundscape of opera and birdsong by Sammy Metcalfe which emanates from speakers adorned with gold bows to match the dramatic gold gowns of the elegantly, beautiful performers. There are tiny horses, and caskets of gold leaf to be eaten and washed down with flutes of champagne. This is an extraordinary night for us – the golden people, the elite, the intelligentsia. And yet, all is not as it seems, instead this is a deconstruction of the Opera, of Celebrity and of us the audience. The gleaming gold evening dresses are made of emergency blankets. The Arias are not sung by the performers instead it is a recording of their parents in 1992. Chillingly the audience are warned that they are no longer necessary, we can be outsourced and replaced by canned laughter.

Wonderfully strange and seductive, there is a real sense of Sleepwalk Collective taking their audience deep into a dream sequence where opera stage meets lecture theatre in a world that is decidedly that of David Lynch. Dead eyed and nihilistic it could be Laura Palmer on stage instead of Iara Solano Arana. The imposed mental haziness of this production may not be for everyone, but the discombobulation is highly effective. The invitation to wake up from the dream of vacuous existence is potent. The warning of a wolf riding a tsunami and the ghosts caught up in the machine are uncomfortable reminders of who we are and what may become of us if we continue to ignore the lessons of the past. This Spanish/British collaboration of big dreamers are inviting us the “intelligentsia” to learn from when Rome burned or Pompeii vanished. This is a joke worn horribly thin…

At HOME 7th – 9th March 2019

Images by IsasiFoto

The Marriage of Kim K

Music by Stephen Hyde

Libretto by Leoe Hyde

53Two

real live actual couple sit on a sofa drinking wine and bickering over what to watch on telly. A string quartet and a barefoot keyboard player play Mozart. It could be Gogglebox The Opera. Indeed it might have been if Leoe &  Hyde had thought of it.

Instead these intrepid boys weave centuries old opera with popular celebrity culture. The Marriage of Figaro meets A marriage of Kim Kardashian. This should be a car crash affair of which the least said the better. Thankfully the end result is fresh, fun and really rather clever.

The music moves well between genres and sounds great. Echo Chamber are a talented bunch who I heard earlier this year at a MIF17 Festival in my Home. The overall impact is polished and impressive. The piece would really shine in a larger venue to allow for better acoustics for such a big sound

The staging is very effective with the central sofa and telly creating the focus of the piece. If we use populist reality docusoaps as a means of escape are we just relaxing or are we disengaging from our lives? 

Real life couple Amelia and Stephen may or may not squabble over the remote control in private but like most couples they will sometimes stop listening with their hearts because their heads are full of stressful thoughts.

When all 3 couples occupy the stage the performance is at times sublime and surreal. It can also frustrate as clever lines get lost as couples are singing over each other. This works as a device to demonstrate the cacophony of our modern media obsessed world but at times detracts from some fine performances. 

Visually it’s fab and frothy. The central couple are authentic and well developed with Amelia Gabriel giving a standout performance. Kim and Kris are suitably trashy and raunchy and played with OTT relish- great fun. The Count and Countess look and sound stunning, and the costumes are fabulous. The attention to detail is really impressive and adds real depth to how the show looks on stage.

By combining Kim Kardashian and Kris Humphries 72 day lovefest/marital car crash with the Count and Countess in The Marriage of Figaro we see nothing really changes. Two hundred plus years on we still fall in love, we still disappoint and are disappointed. We will always have lavish peacocks and steadfast wrens. The music may vary but at its heart the beat remains the same.

Showing July 3,4,10,11,15,16,17 July

Moving to Edinburgh Fringe