Tag: Jack and the Beanstalk

The Rock’n’Roll Panto 2025: Jack and The Beanstalk

Large Theatres, Pantomime
Jack and The Beanstalk at Liverpool Everyman. Image credit: Ellie Kurtz

Written by Chloe Moss

Directed by Kash Arshad

LIVERPOOL EVERYMAN

Review: Jack and the Beanstalk at Liverpool Everyman – a riotous, rebellious beanstalk bonanza.

Liverpool Everyman‘s annual rock ’n’ roll panto has always been more punk spirit than polished pageant, and Jack and the Beanstalk is no exception. In fact, this year’s offering may be the purest distillation yet of the theatre’s trademark magic: equal parts gleeful anarchy, local in-jokes, powerhouse vocals and the kind of good-natured silliness that could thaw even the frostiest Merseyside December.

From the moment the fabulous Adam Keast bursts onstage as Fairy Spacecake, it’s clear we’re in very safe and very outrageous hands. This is a show that doesn’t so much break the fourth wall as tickle it, tease it, and invite it on a night out down Hardman Street. The ensemble, every one of them actor-musician dynamos, bounce between instruments with the casual swagger of people who can absolutely shred a guitar solo and belt out a big ballad without breaking a sweat despite the non breathable costumes and the plethora of wigs.

Liam Tobin as Vera in Jack and The Beanstalk at Liverpool Everyman.
Image Credit: Ellie Kurtz

Malek Alkoni as Jack our hero is a hapless dreamer who initially seems less at home in panto than his comrades but gains confidence as the show progresses. Liam Tobin is the Everyman panto dame, Vera, who turns up in outfits loud enough to be seen from space and delivers zinger after zinger with sharp comic precision.  Amy Bastani is delightful as Jill and delivers some great vocals and harmonies. Even Daisy the cow (Elaine Hua Jones) has a scene-stealing number clad in a fabulous costume by Katie Scott. The ubiquitous star is Everyman panto stalwart Adam Keast who is a master of sly innuendo, always delivered with insouciant twinkly, charm.

The script, as ever, is a glorious mash-up: camp, cheeky, locally flavoured and just the right shade of ridiculous. You’ll get your beans and your beanstalk, sure, but you’ll also get a surprisingly sharp political aside, a slapstick chase sequence, and a musical playlist so crowd-pleasing it should probably come with a government warning. Expect everything from disco to pop-punk to a power ballad so earnest it might genuinely move you.

What makes the Everyman panto special isn’t just the gags or the tunes, it’s the warmth. The company radiates joy, the audience throws it back, and before you know it you’re on your feet, shouting, singing, and momentarily forgetting that you’re a fully grown adult who came in for “something seasonal” and is now screaming encouragement at a quirky Goose.

The set ramps up the fun with a beanstalk ascent that’s impressively bonkers, more DIY-in-the-best-way than Disney, and all the better for it. And when the giant finally appears… well, let’s just say the Designer Katie Scott clearly had a very good time and the result is delightfully unhinged.

In short: Jack and the Beanstalk at Liverpool Everyman is a raucous, big-hearted triumph that is exactly the kind of festive escapism that reminds you why pantomime, done properly and with plenty of swagger, remains one of theatre’s greatest communal pleasures. A giant of a good time.

LIVERPOOL EVERYMAN 15th November ’25  – 17th January ’26

Jack and the Beanstalk

Large Theatres, Pantomime

Written by Fine Time Fontayne and Chris Lawson

Directed by Chris Lawson

Oldham Coliseum

Oldham Coliseum has long basked in its well-deserved reputation as the home of traditional pantomime. This year there are a few changes to the mix as Fine Time Fontayne steps down as Dame and hands the baton, glittery heels and frocks to Richard J Fletcher who in turn has stepped away from his role as comic, and sees Sam Glen follow in his footsteps. Acting Artistic Director Chris Lawson co-writes his first pantomime with long-term writer Fine Time Fonteyne and together they have produced a very 21st century pantomime that blends traditional slapstick routines with a thoroughly modern theme featuring tech gadgets, carbon footprints, eco warriors and a feminist heroine rescuing Oldham from a tech hungry giant.

Designer Celia Perkins has once again created a story book set that delights in colour and moving features. Amidst the “pages” are the Soggy Bottom Cottage with pop up windows that evoke Punch and Judy scenes, a moving parts giant with swivelling eyes and comic signs such as We buy any cow.com. The costumes are an eye blistering array of checks, polka dots, neon and tartan. The Dame has some memorable outfits including a spectacular ode to Oldham Athletics and a truly terrifying wedding party ensemble that once seen can not be unseen!! Elsewhere the baddies, Mavis and Malcolm Moorside have some fabulous steampunk costumes while Lord Thickpenny Grabbmuch sports dashing Victorian frock coats that evoke a sense of Dick Dastardly. There is also an eco friendly, deadlocked fairy and a vegan, peace loving cow adding fresh currency to the mix.

This tale of theft of Smart phones and TVs to power a techno giant to take over Oldham sees feminist heroine Jill be first up the beanstalk to save the day. References to Extinction Rebellion and caring for our planet add nice touches to the story without becoming preachy. The local references are amusing as this year Ashton gets an affectionate bashing instead of Rochdale, and there are a thumbs up to Oldham Athletics, and even The Inspiral Carpets’ Cowabunga is utilised. There is the familiar slapstick humour of a ghost appearing and a witty perfectly timed two hander by Richard J Fletcher and Sam Glen as Dame Dotty Trot and Jack Trot. There is also a messy scene with wallpaper paste and water guns though this feels like it needs expanding more to justify its inclusion. The audience participation is flawless which is partly due to the performers on stage but also because of a well honed audience at The Coliseum who clearly love their local pantomime tradition.

The performances are all good and Sam Glen looks very at home with his more experienced pantomime cohorts. There is loads of energy on stage and some great vocals especially from Jenny Platt as Mavis Moorside and Good Fairy Greenfield. Richard J Fletcher has clearly honed his skills as a Dame and steps into Fine Time Fontayne’s shoes like a veritable Cinderella. My favourite character has to be Mitesh Soni’s Hazy the Hippy Cow. He delights on stage with some great cow based one liners and his take on the Kelis track Milkshake, but overall it is the sheer charm of his performance that steals the show.

The musical numbers are well chosen and range through pop songs like Body Rockers I Like the way you Moo(ve) to tracks lifted from musicals such as Into The Woods and Oklahoma. The orchestra led by Dave Bintley are excellent and the additional young dancers work really hard throughout with several giving notable performances.

This is my third trip to pantomime at Oldham Coliseum and perhaps the best endorsement I can give is that my teenage and twenty something kids eagerly ask to come each year. It has become a festive family tradition in our household and I can see them making the trip up to Oldham with their own kids in the future. Watching Sam Glen on stage I thought he captured a real sense of the comic devised by Richard J Fletcher, it was lovely to later discover he had grown up watching pantomime at Oldham just like his predecessor had. It’s a nice thought to sit in the Coliseum and look around an audience of smiling families and wonder who there might be on stage in another ten years.

Oldham Coliseum 16 Nov 2019 – 11 January 2020

Images by Darren Robinson