Jack and the Beanstalk

Written by Fine Time Fontayne and Chris Lawson

Directed by Chris Lawson

Oldham Coliseum

Oldham Coliseum has long basked in its well-deserved reputation as the home of traditional pantomime. This year there are a few changes to the mix as Fine Time Fontayne steps down as Dame and hands the baton, glittery heels and frocks to Richard J Fletcher who in turn has stepped away from his role as comic, and sees Sam Glen follow in his footsteps. Acting Artistic Director Chris Lawson co-writes his first pantomime with long-term writer Fine Time Fonteyne and together they have produced a very 21st century pantomime that blends traditional slapstick routines with a thoroughly modern theme featuring tech gadgets, carbon footprints, eco warriors and a feminist heroine rescuing Oldham from a tech hungry giant.

Designer Celia Perkins has once again created a story book set that delights in colour and moving features. Amidst the “pages” are the Soggy Bottom Cottage with pop up windows that evoke Punch and Judy scenes, a moving parts giant with swivelling eyes and comic signs such as We buy any cow.com. The costumes are an eye blistering array of checks, polka dots, neon and tartan. The Dame has some memorable outfits including a spectacular ode to Oldham Athletics and a truly terrifying wedding party ensemble that once seen can not be unseen!! Elsewhere the baddies, Mavis and Malcolm Moorside have some fabulous steampunk costumes while Lord Thickpenny Grabbmuch sports dashing Victorian frock coats that evoke a sense of Dick Dastardly. There is also an eco friendly, deadlocked fairy and a vegan, peace loving cow adding fresh currency to the mix.

This tale of theft of Smart phones and TVs to power a techno giant to take over Oldham sees feminist heroine Jill be first up the beanstalk to save the day. References to Extinction Rebellion and caring for our planet add nice touches to the story without becoming preachy. The local references are amusing as this year Ashton gets an affectionate bashing instead of Rochdale, and there are a thumbs up to Oldham Athletics, and even The Inspiral Carpets’ Cowabunga is utilised. There is the familiar slapstick humour of a ghost appearing and a witty perfectly timed two hander by Richard J Fletcher and Sam Glen as Dame Dotty Trot and Jack Trot. There is also a messy scene with wallpaper paste and water guns though this feels like it needs expanding more to justify its inclusion. The audience participation is flawless which is partly due to the performers on stage but also because of a well honed audience at The Coliseum who clearly love their local pantomime tradition.

The performances are all good and Sam Glen looks very at home with his more experienced pantomime cohorts. There is loads of energy on stage and some great vocals especially from Jenny Platt as Mavis Moorside and Good Fairy Greenfield. Richard J Fletcher has clearly honed his skills as a Dame and steps into Fine Time Fontayne’s shoes like a veritable Cinderella. My favourite character has to be Mitesh Soni’s Hazy the Hippy Cow. He delights on stage with some great cow based one liners and his take on the Kelis track Milkshake, but overall it is the sheer charm of his performance that steals the show.

The musical numbers are well chosen and range through pop songs like Body Rockers I Like the way you Moo(ve) to tracks lifted from musicals such as Into The Woods and Oklahoma. The orchestra led by Dave Bintley are excellent and the additional young dancers work really hard throughout with several giving notable performances.

This is my third trip to pantomime at Oldham Coliseum and perhaps the best endorsement I can give is that my teenage and twenty something kids eagerly ask to come each year. It has become a festive family tradition in our household and I can see them making the trip up to Oldham with their own kids in the future. Watching Sam Glen on stage I thought he captured a real sense of the comic devised by Richard J Fletcher, it was lovely to later discover he had grown up watching pantomime at Oldham just like his predecessor had. It’s a nice thought to sit in the Coliseum and look around an audience of smiling families and wonder who there might be on stage in another ten years.

Oldham Coliseum 16 Nov 2019 – 11 January 2020

Images by Darren Robinson

Cinderella

Oldham Coliseum 10 Nov – 12 Jan 2019

Oldham Coliseum

Written by Fine Time Fontayne and Kevin Shaw

Directed by Kevin Shaw

It’s pantomime season once again and Cinderella breezes into Oldham Coliseum in a glittering pumpkin coach. Normally I wince at the word pantomime but last year the Coliseum converted my cynical heart to embrace the froth, frolics and sequins. This is good old fashioned slapstick peppered with plenty of modern references, catchy tunes and strong performances from seasoned panto professionals. Designer Celia Perkins has created a picture perfect storybook set which is incredibly detailed and enticingly colourful. The overall effect is as full of charm as a proverbial pantomime Prince .

The younger members of the cast deliver some good vocals and lots of energy, with Shorelle Hepkin as a warm and winsome Cinderella. Nisha Anil doubles as Dandini and Fairy Godmother bringing something special to both roles. Richard J Fletcher as Buttons gives his all throughout the show, and the pathos in his delivery of Emily SandĂ©’s Clown is really touching.

There are lots of amusing current cultural references in this production including recent royal weddings, Ubers and Google Alexi, however the wittiest is undoubtedly at the expense of The Kardashians. The Ugly Sisters, Fine Time Fontayne and Simeon Truby and mommie dearest Countessa Vyella Squeezepocket Sue Devaney do a deliciously mean take on those big bottomed girls and their socially ambitious mother.

Sue Devaney is in her element here producing a performance that blends a touch of Elphaba from Wicked with the Kardashians and a dollop of Celia Imrie circa Dinnerladies. She milks every moment on stage as the pantomime villain but with so much wit and flair that she rightfully steals the show.

There are the usual panto ghost scenes that whip the children up into a frenzy of excitement. A pre-Ball spa session is the perfect excuse for lots of slapstick fun and messy chaos. A well choreographed slow motion scene effectively highlights the Prince’s glass slipper hunt. The transformation of Cinderella is lit with a magical rosy glow and really does deliver whimsy and wonder.

This is good old fashioned pantomime with a big Northern heart. Oldham Coliseum deliver family fun for Christmas that scores high on the genuine feel good factor.

Oldham Coliseum 10 Nov – 12 Jan 2019

Dick Whittington 


The Opera House, Manchester 
Written by Alan McHugh with additional material by The Krankies

Directed by Michael Gyngell

This Qdos Entertainment production of Dick Whittington certainly delivers as a visually spectacular festive theatre trip. It takes traditional panto and gives it a huge 21st century makeover. Dick first appears when launched on stage in a jetpack and there are 3D special effects and mind blowing visual creations from The Twins FX. 

This is still bright, loud and colourful pantomime but the narrative is more sound bites than traditional storytelling. It keeps many of the traditional characters but ditches the panto dame and OTT costumes for a hybrid Principal Boy/Panto Dame in the form of John Barrowman in the tightest velvet trousers and skimpiest white shorts. This Dick is possibly more focused on maintaining his reputation as the biggest Dick in Panto than he is on saving London from a plague of rats!!

The other major characters this production is built around are the Seventies comedy duo The Krankies. Ian Tough as Councillor Krankie and his wife Janette Tough as his son Jimmy who reprise their famous despairing father/naughty son doubleact. This unlikely pairing with John Barrowman is incredibly successful and creates a comedy masterclass in comic timing and ad libbing. Apparently Barrowman will only do Panto if The Krankies are on the bill and this is their seventh successful appearance together. They are quite simply a joy to watch, as the on stage chemistry particularly with Barrowman and Janette Tough is achingly funny. The banter often feels genuinely unscripted and frequently veers from naughty to positively blue- this is a trio singing from the same rather smutty songsheet. 

The other main characters are all strong performances with Jacqueline Hughes delivering a delightful The Spirit of Bow  Bells and Lauren Hampton as  a sweet and winsome Alice. Phil Corbitt is a suitably nasty villain as King Rat and provides lots traditional boos and hisses. Sadly the rest of the cast are underused and although we have Ryan Kayode as a Manchester/Cheshire cat complete with local accent we don’t see enough of Dick’s famous sidekick. 

A lot of the audience are here for Panto at Christmas but this is very much a vehicle for John Barrowman with lots of references to iconic shows such as Dr Who and Arrow. In the ghost scene he even wears a cheeky skimpy onesie that’s clearly inspired by The Tardis. This combined with numerous references to his sexuality mean that it is impossible to ever fully suspend reality and simply see Dick Whittington on stage.

There are lots of catchy songs delivered with loads of energy. Barrowman baritone voice is unsurprisingly excellent throughout while Janette Tough singing is unsurprisingly awful throughout and well used for comic effect. Her turn as MacDonna in conical bra and G string may be the oddest thing I’ve ever seen on stage but the goodwill she creates makes it strangely acceptable.

The special effects are high impact and give this show an added memorable dimension. The 3D underwater scene was genuinely scary  and exciting. The big events in each Act were thrilling for all ages. Rudolph and his sleigh fly out over the audience and turn upside down with Dick seemingly inches from the audience in the stalls. Later we see Wee Jimmy in the mouth of a gigantic shark shooting out over the stage and into the audience.

There are lots of panto positives in this production. The underwater version of The Twelve Days of Christmas is pure silliness and includes lots of super soaker action  aimed at the audience. The costumes for the dancers are extravagant and sometimes really beautiful such as in the winter scene. However there are also points where this panto veets off being family friendly fun and dips into gasp-out- loud smuttiness. I’m sure some of this will go right past the younger audience but for older children there may be awkward q&a’s for red faced parents.

At OPERA HOUSE until Sunday Jan 7th 2018

Dick Whittington


OLDHAM COLISEUM
By Fine Time Fontayne and Kevin Shaw 

Directed by Kevin Shaw 

Saturday night at the pantomime in Oldham with three anime loving teenagers fresh from a day at the Japanese Doki Doki Festival. What could possibly go wrong?? Well nothing apparently. Despite my concerns everyone loved it and my own initial wariness disappeared in a wave of nostalgia and general goodwill to all.

This is pantomime at its traditional best with no fancy hi tech bells and whistles. The only bell here being the one swung by the marvellous panto grand dame Saucy Sarah Suet played with warmth and wit by Fine Time Fontayne. The whole cast are enthusiastic and the energy on stage never wanes. There are some especially strong assured performances most notably Fine Time Fontayne as Sarah and Richard J Fletcher as her son Silly Billy Suet. The Rat King has Simeon Truby who is excellent as the perfect pantomime villain. His pastiche of Meatloaf’s Bat out of Hell is inspired and very funny.

The set by Celia Perkins is just lovely. All painted scenes rolling back like the beautifully illustrated pages of a children’s story book. There are lots of witty little signs and references included to keep the grown ups amused too. 

The wardrobe department have produced some bright and cheery costumes to compliment the set. The outrageous dame costumes succeed with a the obligatory pantomime wow factor. The generous bottoms on several costumes seem to be modelled on the famous rear of Kim Kardashian!!

The song and dance numbers mix the old and the new to good effect. The chorus of local children on stage dancing look like they are having a ball. Other children from the audience are brought on stage by Saucy Sarah and Billy Suet  to help out with one of the songs.  The banter and interaction with the audience feels genuine and warm rather than staged. Family groups are welcomed by name and the atmosphere in the theatre is relaxed and happy. The family next to us share our pleasure as their small boy waves his light up sword at The Rat King and whole heartedly joins in during the ghost scene. That little boys delight and enthusiasm is shared by my son’s girlfriend who is delighting in revisiting where she first saw Pantomime on  primary school trips. 

Overall Dick Whittington was an unexpected hit for a slightly unconventional family. With 80 performances aiming to entertain about 40,000 people it looks like Oldham Coliseum have paved the streets of Oldham with gold and big smiles.

11 Nov – 13 January at OLDHAM COLISEUM