Written & Performed by Rosie Fleeshman
Produced & Directed by Sue Jenkins
This one woman show by Rosie Fleeshman dazzles from start to finish. The set alludes to the plush dressing room of a Hollywood Diva. The opening track You‘re Gorgeous by Babybird nicely frames this piece about a girl who craves adulation and success as best daughter, lover, actress and grammar Nazi.
This is a real gem with sparkling prose, well judged in its blend of dark pathos and gutsy humour. Fleeshman charms and repels with equal flare without ever losing her audience. The standing ovation is well deserved as throughout she uses acutely observed images to enthrall a rapt audience before swiftly making us laugh out loud her wry, blunt humour.
The narrative feels authentic throughout so even her references to her family feel true even when most raw and unflattering. In the end this makes the piece all the stronger as the self awareness and lack of self pity suggest a family that is ultimately flawed but also close and strong- her mother, actress Sue Jenkins is producer and director. The dynamics and dramas of a family of actors is vivid and this narrative could easily lend itself to an excellent novel as well as a play.
The stories of first fumblings, real love and the rabbit hole of Tinder as a means to fill a void are artfully portrayed. The prose is just great as Fleeshman paints domestic images and dating vignettes with the care and precision she doubtlessly painted her tiny London flat with Street Symphony No2.
Life as a trained actress who is an actor waiting to act is described with no self pity but tells a poignant story of every casting call opening a door on another life then giving the key to someone else.
Writing Narcissist in the Mirror may have been an exercise in self therapy and healing as well as a means of taking control of her career. The woman on stage is too self aware to really be a Narcissist but she is certainly a perfectionist and probably her own harshest critic. There has been all the waiting and the yearning to be seen, really really seen and accepted. I really hope as she takes her bows that she truly recognises that she can skip to her own beat and certainly disarm with ability.
At HOME 16/17th January PUSH2018