Created and performed by Bertrand Lesca and Nasi Voutsas
Co-produced by FellSwoop Theatre
From the moment they step on stage it is clear that Bert is a just a little bigger, more confident and sophisticated in every way than the delightfully sweet Nasi. The audience is swiftly engaged in greeting them and each other, before we all hold hands. The govial assumption being that this will be good for all of us. Tellingly I happily hold hands with the lovely Nasi but soon my arm starts to ache held up at an unfamiliar angle. He smiles. I smile. I show no sign of discomfort. It is a lovely concept that is ultimately unsustainable.
This is EUROHOUSE. The clowning, running and dancing together is joyous and mainly harmonious until a darker edge starts to appear. Competitive elements in our personal and national psyches start to infilitrate the piece. Run fast, yes really fast but not too fast- never go faster than me and I will reward you.
Bert happily shares his sweets with Nasi encouraging and delighting in greedy pleasure. Later almost menacing he asks where the sweets are and clearly wishes them returned. It starts to feel claustrophobic in the space as Nasi has less and less options. There remains the bare vestiges of civility while food is literally taken from his mouth and the clothes from his back. The bonhomie of this functional friendship is cracking and Nasi starts to assert his individuality.
The show had opened with Bert confiding that he will be controlling the sound and lighting for the evening as if to give the nice staff at HOME a break. It is now apparent that the agenda here is control not support.
This is cleverly illustrated by the music choices played ad finitum by Bert who insists on a cloying diet of Sardou’s classic Comme d’habitude (My Way) and Kraftwerks Europe Endless. As an audience we are invited to also choose a song, as is Nasi, though neither get played by the charming Bert. When Nasi defiantly ramps up the volume on Fleetwood Mac’s Go Your Own Way I want to sing along- something I never do! It is a momentary small victory but it feels so good.
The spirit of EUROHOUSE is in sharing and playing and growing just like in the playground when we start to make the friends or enemies we must share a classroom with for the rest of our education. EUROHOUSE brings together performers from France and Greece who met in Scotland. They were part of two different companies FellSwoop and ANTLER. This performance is a bittersweet warning for us all in the aftermath of Brexit. We all need support and friendship but at what cost?